TALK
Landesmuseum Württemberg
January, 30, 2025,
How do artists approach the topic of protest? What role do personal experiences and media coverage play in their work? And under what circumstances can works of art be understood as protest? The exhibition "PROTEST! From anger to movement" presents creative protest as a possible form of protest. In addition, works by nine artists on the topic of utopia are shown. In an interview, the artist Monika Huber explains what motivated her to engage with protest and what stories and images are behind her work in the exhibition.
More information here.
| 17:45 - 18:30pm |
How do artists approach the topic of protest? What role do personal experiences and media coverage play in their work? And under what circumstances can works of art be understood as protest? The exhibition "PROTEST! From anger to movement" presents creative protest as a possible form of protest. In addition, works by nine artists on the topic of utopia are shown. In an interview, the artist Monika Huber explains what motivated her to engage with protest and what stories and images are behind her work in the exhibition.
| Altes Schloss, Schillerplatz 6, 70173 Stuttgart |
EXHIBITION
Landesmuseum Stuttgart
— PROTEST! Von der Wut zur Bewegung
(From anger to movement)
— PROTEST! Von der Wut zur Bewegung
(From anger to movement)
EXHIBTION
Museum für Neue Kunst, Freiburg im Breisgau
— Modern Times -
Images of the 1920s
— Modern Times -
Images of the 1920s
September 27th, 2024 – February, 16th 2025
War traumas, revolution and political radicalization, democracy, women's suffrage, freedom and individuality, poverty and wealth: the 1920s were a time full of contradictions and supposed incompatibilities. Works by Otto Dix, Conrad Felixmüller, George Grosz, Käthe Kollwitz and Elisabeth Voigt reflect life between the world wars, on the street, in the factory, in cafés and cabarets. Above all, they focus on those people who were at the lowest rung of society. Around 100 years later, the same themes are still relevant. The exhibition shows works from Expressionism to New Objectivity from the Lindenau Museum Altenburg and the Freiburg Museum of Contemporary Art, supplemented by contemporary artistic positions. Monika Huber's video work RIOTS from 2018 can be seen in the exhibition room “revolution”. A catalog accompanies the exhibition.
Marienstraße 10a
79098 Freiburg im Breisgau
More information about the exhibition here.
War traumas, revolution and political radicalization, democracy, women's suffrage, freedom and individuality, poverty and wealth: the 1920s were a time full of contradictions and supposed incompatibilities. Works by Otto Dix, Conrad Felixmüller, George Grosz, Käthe Kollwitz and Elisabeth Voigt reflect life between the world wars, on the street, in the factory, in cafés and cabarets. Above all, they focus on those people who were at the lowest rung of society. Around 100 years later, the same themes are still relevant. The exhibition shows works from Expressionism to New Objectivity from the Lindenau Museum Altenburg and the Freiburg Museum of Contemporary Art, supplemented by contemporary artistic positions. Monika Huber's video work RIOTS from 2018 can be seen in the exhibition room “revolution”. A catalog accompanies the exhibition.
Marienstraße 10a
79098 Freiburg im Breisgau
More information about the exhibition here.
EXHIBITION
Galerie im Schlosspavillon
— Orte im Visier
(Places in sight)
— Orte im Visier
(Places in sight)
September 13th – Ocotber 26th, 2024
On display are videos, drawings and watercolors from the past five years, including the video TARGETS, which was produced especially for the exhibition and is based on the tape recordings of a US Air Force pilot during the Vietnam War. Monika Huber's art deals with the media representation of reality in a multi-layered way, whereby her points of reference are current crises and wars as well as garden depictions from Roman antiquity (video PASSING THE GARDEN). Huber's intensive engagement with the world's trouble spots began in 2011 with the start of the Arab Spring. Since then, she has been documenting media events with photographs, videos, drawings and installations, working out which global changes are emerging and how they are shaping the Western media world.
Information about the exhibtion here.
More informationen here.
Kallmann-Museum Ismaning
Schloßstr. 3b
85737 Ismaning
On display are videos, drawings and watercolors from the past five years, including the video TARGETS, which was produced especially for the exhibition and is based on the tape recordings of a US Air Force pilot during the Vietnam War. Monika Huber's art deals with the media representation of reality in a multi-layered way, whereby her points of reference are current crises and wars as well as garden depictions from Roman antiquity (video PASSING THE GARDEN). Huber's intensive engagement with the world's trouble spots began in 2011 with the start of the Arab Spring. Since then, she has been documenting media events with photographs, videos, drawings and installations, working out which global changes are emerging and how they are shaping the Western media world.
Information about the exhibtion here.
More informationen here.
Kallmann-Museum Ismaning
Schloßstr. 3b
85737 Ismaning
ARTIST TALK
Galerie im Schlosspavillon
— Orte im Visier
— Orte im Visier
Sunday, 13th October 2024 at 15:00
at the Galerie im Schlosspavillon
with Rasmus Kleine (Director of Kallmann-Museum)
Information to the event here.
Kallmann-Museum Ismaning
Schloßstr. 3b
85737 Ismaning
at the Galerie im Schlosspavillon
with Rasmus Kleine (Director of Kallmann-Museum)
Information to the event here.
Kallmann-Museum Ismaning
Schloßstr. 3b
85737 Ismaning
